{"id":64,"date":"2022-10-26T16:20:18","date_gmt":"2022-10-26T14:20:18","guid":{"rendered":"http:\/\/francoisbuffet.com\/francois-2022\/?page_id=64"},"modified":"2023-01-03T13:23:13","modified_gmt":"2023-01-03T12:23:13","slug":"audio","status":"publish","type":"page","link":"https:\/\/francoisbuffet.com\/francois-2022\/audio\/","title":{"rendered":"AUDIO"},"content":{"rendered":"<p>[vc_row row_height_percent=&#8221;0&#8243; back_color=&#8221;color-211273&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; uncode_shortcode_id=&#8221;112516&#8243; back_color_type=&#8221;uncode-palette&#8221;][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;3&#8243; style=&#8221;dark&#8221; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/2&#8243; 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Ce sanctuaire vibrant est une unit\u00e9, mais aussi une multiplicit\u00e9, une totalit\u00e9,\u00a0<span class=\"s1\">un seul son, mais un son multiple\u2026<\/span><\/p>\n<p class=\"p2\">On peut distinguer une sorte de choeur, synth\u00e9tique, imaginaire, imagin\u00e9, irr\u00e9el \u2013 la voix des morts? de ceux qui ne sont pas n\u00e9s? des anges? de l\u2019humanit\u00e9? de l\u2019univers? d\u2019une dimension autre, parall\u00e8le?<span class=\"s2\">\u00a0Un sanctuaire cosmique en vibration, violent, extatique, doux\u2026<\/span><\/p>\n<hr \/>\n<p><em>english version<\/em><\/p>\n<p class=\"p1\"><em>Anabasis<\/em>\u00a0means in ancient greek \u00ab\u00a0spirit ascent\u00a0\u00bb. Its consists in open sanctuary which is everywhere and nowhere at once, which don\u2019t have geographic place, but a place of the spirit, an inner territory, without edge, without border, infinite.\u00a0<span class=\"s1\">This vibrating sanctuary is an unity, but also a multiplicity, a totality, one sound, but a multiple sound\u2026<\/span><\/p>\n<p class=\"p1\">We can hear a sort of choir, synthetic, imaginary, imagined, unreal \u2013 the voices of the dead? of those aren\u2019t born? of the angels? of humanity? of the univers? an other dimension? parallel world?\u00a0<span class=\"s1\">A cosmic sanctuary in vibration, violent, extatic, soft\u2026<\/span><\/p>\n                <\/div>\n                                <div post_id=\"68\" itemcount=\"1\" header_id=\"header-1701868683491\" id=\"header-1701868683491\" style=\"\" class=\"accordions-head head1701868683491 border-semi-round\" toggle-text=\"\" main-text=\"Le Jour - \u00e9v\u00e9nement\/av\u00e8nement (2022-2023)\">\n                                            <span id=\"accordion-icons-1701868683491\" class=\"accordion-icons\">\n                            <span class=\"accordion-icon-active accordion-plus\"><i class=\"fas fa-chevron-up\"><\/i><\/span>\n                            <span class=\"accordion-icon-inactive accordion-minus\"><i class=\"fas fa-chevron-right\"><\/i><\/span>\n                        <\/span>\n                        <span id=\"header-text-1701868683491\" class=\"accordions-head-title\">Le Jour - \u00e9v\u00e9nement\/av\u00e8nement (2022-2023)<\/span>\n                                        <\/div>\n                <div class=\"accordion-content content1701868683491 \">\n                    <div class=\"page\" title=\"Page 1\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p><em>Le Jour - e\u0301ve\u0301nement\/ave\u0300nement<\/em> (2022-2023)<\/p>\n<p>Pour Be\u0301atrice<\/p>\n<p><em>Le Jour - e\u0301ve\u0301nement\/ave\u0300nement<\/em> est une commande de Philippe Blanchard pour le Bruit de la Neige 2023, un grand merci pour son initiative.<br \/>\nUn grand remerciement a\u0300 la soprano argentine Maria Goso pour son engagement.<\/p>\n<pre>___________________\r\n<\/pre>\n<p>Cette pie\u0300ce fait directement re\u0301fe\u0301rence a\u0300 un sujet religieux et d'inspiration chre\u0301tienne : l'Apocalypse. On peut y discerner des e\u0301le\u0301ments de musique ancienne et modale, qui entrent en re\u0301sonance avec une e\u0301criture de type spectrale, l'ensemble e\u0301tant re\u0301alise\u0301 avec des moyens e\u0301lectroacoustiques.<\/p>\n<p>___________________<br \/>\n\"Ils chantaient un cantique nouveau...\" (Apocalypse 14 ; 3)<br \/>\nLe Jour : le Jour du Seigneur, le Jour de l'Apocalypse, de la Re\u0301ve\u0301lation.<\/p>\n<p>Le Jour, de\u0301signe une e\u0300re, en voie d'apparition, dont la venue est devenue ne\u0301cessaire. De fait il ne s'agit pas d'une nouvelle e\u0300re au sens temporel, mais pluto\u0302t d'une sortie du monde et donc du temps.<\/p>\n<p>\"Le Jour de Dieu est la\u0300 ou\u0300 l'a\u0302me est dans le jour de l'e\u0301ternite\u0301 en un instant essentiel\" (Eckhart, sermon 10)<\/p>\n<p>Le Jour, la Re\u0301ve\u0301lation ou le de\u0301voilement (apocalypsis), c'est la re\u0301ve\u0301lation d'un monde renouvele\u0301, re\u0301ve\u0301lation de ce que nous sommes, et avons toujours e\u0301te\u0301, c'est a\u0300 dire des e\u0302tres d'Amour. Car effectivement nous sommes fait pour aimer. L'Apocalypse c\u0327a n'est pas les \"cataclysmes\" de la Terre, c'est le cataclysme de l'Esprit.<br \/>\nL'Apocalypse de\u0301voile ce qui est cache\u0301, ignore\u0301, latent, et pourtant e\u0301vident depuis toujours, c'est la manifestation du myste\u0300re qui re\u0301side en nous-me\u0302me. Car tout est la\u0300, et ce depuis toujours.<\/p>\n<p>L'Apocalypse n'annonce pas une fin mais pluto\u0302t un commencement, un re- commencement, et il est beau, ne\u0301cessairement. C'est effectivement la fin du monde, tel que nous le connaissons, mais aussi la naissance d'un autre, tel que nous le de\u0301couvrons.<br \/>\nVoir clairement le monde, tel qu'il est, tel qu'il est devenu, et tel qu'il puisse devenir. Voir amoureusement l'imminence de l'e\u0301ve\u0301nement, de l'ave\u0300nement, et se sentir concerne\u0301, dans une veille permanente de l'esprit. Le Jour de\u0301signe ainsi une e\u0300re de<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 2\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>l'accomplissement, du renouvellement, du retournement de nos consciences.<\/p>\n<\/div>\n<\/div>\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>\"Veillez donc, car vous ne savez ni le jour ni l'heure\" (Matthieu, 25 ; 13)<\/p>\n<p>La ne\u0301cessite\u0301 d'e\u0301prouver la douleur de l'enfantement d'une nouvelle e\u0300re.<br \/>\nLes e\u0301preuves, ve\u0301cues lucidement, dignement, avec une confiance sans peur, constituent le terreau de ces consciences futures,. Et rien est a\u0300 craindre des troubles a\u0300 venir, car le temps de l'e\u0301preuve est aussi celui de la libe\u0301ration. Et il est grand temps.<\/p>\n<p>\"Que celui qui entend dise : Viens !\" (Apocalypse 22 ; 17)<\/p>\n<p>Le Jour est une sortie au jour, un jour ouvert...<br \/>\nL'Apocalypse, le Jour, de\u0301signe un acte de foi, libe\u0301rateur, ine\u0301branlable.<br \/>\nL'ave\u0301nement d'un monde entie\u0300rement renouvele\u0301, c'est le Ciel et la Terre qui ne font plus qu'un. Il n'y a alors plus lieu d'assurer un culte, car Dieu est en tous, le Temple est omnipre\u0301sent.<br \/>\nIl s'agit donc de la de\u0301ification totale et de\u0301finitive de la Terre et de l'Humanite\u0301. La Cite\u0301 Ce\u0301leste e\u0301tant de\u0301pourvue de temple (car inutile), toute la Cite\u0301 devient le Sanctuaire. L'Apocalypse contient de fait sa propre fin.<br \/>\nLa liturgie retrouve sa de\u0301finition fondamentale a\u0300 travers sa dimension ce\u0301leste : l'expe\u0301rience du \"Ciel sur la Terre\".<br \/>\nL'adoration de Dieu devient alors la seule et unique \"activite\u0301\" des humains transforme\u0301s, et sans interme\u0301diaire.<br \/>\nLe Jour du Seigneur, le monde renouvele\u0301 est de\u0301ja\u0300 commence\u0301, car me\u0302me s'il n'est pas pleinement actualise\u0301, il est de\u0301ja\u0300 en cours de re\u0301alisation.<\/p>\n<p>\"Voici que je fais toutes choses nouvelles \" (Apocalypse, 21; 5)<\/p>\n<p>l'Amour est notre sang.<\/p>\n<p>Et puis soyons pre\u0301sents...<\/p>\n<\/div>\n<p>_________________________<\/p>\n<p><em>english version :<\/em><\/p>\n<\/div>\n<p class=\"p1\"><span class=\"s1\"><i>Le Jour - \u00e9v\u00e9nement\/av\u00e8nement <\/i>(2022-2023)<\/span><\/p>\n<p class=\"p3\"><span class=\"s1\">For B\u00e9atrice<\/span><\/p>\n<p class=\"p4\">The title of the piece means : \"<i>The Day - event\/advent<\/i>\".<\/p>\n<p class=\"p4\">This piece makes reference to a religious subject and christian inspiration : Apocalypse, Revelation. We can discern some elements of ancient and modal musique, which enter in resonance with spectral writing, the ensemble is realize with electroacoustic medium.<\/p>\n<table class=\"t1\" style=\"height: 431px;\" width=\"752\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td class=\"td1\" valign=\"middle\">\n<p class=\"p6\"><span class=\"s1\">\"And they made as it seemed a new song\" (Revelation, 14 ; 3)<\/span><\/p>\n<p class=\"p4\">The Day : the day of Lord, the day of the Apocalypse, the day of the Revelation.<\/p>\n<p class=\"p4\"><i>The Day<\/i> show an age in way of appearance, whose the arrival is become necessary. It is not a new age in temporal sense, but an exit of the world and therefore the time.<\/p>\n<p class=\"p10\"><span class=\"s1\">Revelation not announce an ending but rather a beginning, a restart, and it is beautiful, necessary. It's indeed the end of the world as we know it, but also the birth of another one, as we discover it. The Day is in this way a completion, a turnaround of our consciousness.<\/span><\/p>\n<p class=\"p11\"><span class=\"s1\">\"Keep watch, then, because you are not certain of the day or of the hour\" (Matthew 25 ; 13)<\/span><\/p>\n<p class=\"p10\">The Day is an exit, an open day\u2026<\/p>\n<p class=\"p10\">The Apocalypse, the Day mean an act of faith, liberating, resolute. The advent of an entirely reinvented world, it's the Sky and the Earth that become one.<\/p>\n<p class=\"p10\">And nothing is to be feared in coming trouble, because the ordeal time is almost the release one.<\/p>\n<p class=\"p6\"><span class=\"s2\">\"See, I make all things new\" (Revelation, 21 ; 5)<\/span><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p class=\"p10\">Love is our blood.<\/p>\n<p class=\"p10\">And then we are present\u2026<\/p>\n<\/div>\n                <\/div>\n                                <div post_id=\"68\" itemcount=\"2\" header_id=\"header-1701869378943\" id=\"header-1701869378943\" style=\"\" class=\"accordions-head head1701869378943 border-semi-round\" toggle-text=\"\" main-text=\"Holos (2017-2018)\">\n                                            <span id=\"accordion-icons-1701869378943\" class=\"accordion-icons\">\n                            <span class=\"accordion-icon-active accordion-plus\"><i class=\"fas fa-chevron-up\"><\/i><\/span>\n                            <span class=\"accordion-icon-inactive accordion-minus\"><i class=\"fas fa-chevron-right\"><\/i><\/span>\n                        <\/span>\n                        <span id=\"header-text-1701869378943\" class=\"accordions-head-title\">Holos (2017-2018)<\/span>\n                                        <\/div>\n                <div class=\"accordion-content content1701869378943 \">\n                    <p><em>Holos<\/em> (2017-2018)<\/p>\n<p>2nd Prix M\u00e9tamorphoses 2020<\/p>\n<p class=\"p1\"><span class=\"s1\"><i>Holos<\/i> est une pi\u00e8ce acousmatique en octophonie compos\u00e9e au studio de l'auteur et au studio \"M\u00e9tamorphoses d\u2019Orph\u00e9e\" de Musiques &amp; Recherches lors de deux r\u00e9sidences et f\u00fbt cr\u00e9\u00e9e en avril 2018 \u00e0 Bruxelles.<\/span><i> <\/i><span class=\"s1\"><i>Holos<\/i> est une \u00e9tape vers une musique holistique, qui int\u00e8gre et infuse la totalit\u00e9 et la multiplicit\u00e9 du sonore, d\u2019un point de vue global et dans une perspective unificatrice, sur le plan technique comme sur le plan spirituel.<\/span><\/p>\n<p class=\"p2\">\u00c9tant toujours dans l'unit\u00e9, on peut assimiler une multiplicit\u00e9 toujours plus grande, il ne restera toujours que l'Un.<\/p>\n<p class=\"p2\">Chaque chose \u00e9quivaut au Tout, Tout r\u00e9side en chaque chose.<\/p>\n<p class=\"p3\"><span class=\"s3\">La totalit\u00e9 est plus simple \u00e0 percevoir qu\u2019un seul de ses \u00e9l\u00e9ments.<\/span><\/p>\n<p class=\"p2\">Fondre la multiplicit\u00e9 dans l\u2019Un - Le Tout complet<\/p>\n<p class=\"p2\">Unit\u00e9<\/p>\n<p>___________________<\/p>\n<p><em>english version<\/em><\/p>\n<p><em>Holos<\/em> (2017-2018)<\/p>\n<p class=\"p2\"><i>Holos<\/i> is an eight channel work composed at the author's studio and the studio \"M\u00e9tamorphose d'Orph\u00e9e\" of Musiques &amp; Recherches throughout two residences and was created in april 2018 in Brussels. Holos won the second prize at the M\u00e9tamorphoses 2020 competition of Musiques &amp; Recherches.<\/p>\n<p class=\"p2\">Holos is a step toward a holistic music, which integrate and infuse the totality and the multiplicity of the sounds, from a global and unifying point of view, in the technical level like spriritual level.<\/p>\n<p class=\"p2\">Already being in the Unity, we can assimilate aw ever larger multiplicity, there will remain only the One.<\/p>\n<p class=\"p2\">Each thing is equivalent to the All, All resides in each thing.<\/p>\n<p class=\"p2\">The totality is easiest to perceive than one of his element.<\/p>\n<p class=\"p2\">Melt the multiplicity in the One - The All completed<\/p>\n<p class=\"p2\">Unity<\/p>\n                <\/div>\n                                <div post_id=\"68\" itemcount=\"3\" header_id=\"header-1666795751600\" id=\"header-1666795751600\" style=\"\" class=\"accordions-head head1666795751600 border-semi-round\" toggle-text=\"\" main-text=\"En to Pan (2014)\">\n                                            <span id=\"accordion-icons-1666795751600\" class=\"accordion-icons\">\n                            <span class=\"accordion-icon-active accordion-plus\"><i class=\"fas fa-chevron-up\"><\/i><\/span>\n                            <span class=\"accordion-icon-inactive accordion-minus\"><i class=\"fas fa-chevron-right\"><\/i><\/span>\n                        <\/span>\n                        <span id=\"header-text-1666795751600\" class=\"accordions-head-title\">En to Pan (2014)<\/span>\n                                        <\/div>\n                <div class=\"accordion-content content1666795751600 \">\n                    <p class=\"p1\"><i>En to pan<\/i>\u00a0est une commande INA-GRM pour la saison Akousma 2014-2015 cr\u00e9\u00e9e le 25 janvier 2015 \u00e0 l\u2019auditorium St-Germain \u00e0 Paris, puis diffus\u00e9e dans l\u2019\u00e9mission Electrain de Nuit sur France musique le 14 f\u00e9vrier suivant. \u00ab\u00a0En to pan\u00a0\u00bb signifie en grec ancien \u00ab\u00a0un le tout\u00a0\u00bb ou encore de mani\u00e8re extrapol\u00e9e \u00ab\u00a0l\u2019Un et le multiple\u00a0\u00bb, ce qui exprime la correspondance existant entre la d\u00e9it\u00e9 unique comme totalit\u00e9, et ses oeuvres, d\u2019une richesse et d\u2019une diversit\u00e9 infinies.<\/p>\n<p class=\"p1\">Cette pi\u00e8ce tente de faire correspondre ces id\u00e9es compl\u00e9mentaires : cr\u00e9er une unit\u00e9 globale \u00e0 partir d\u2019\u00e9l\u00e9ments parfois h\u00e9t\u00e9roclites, c\u2019est \u00e0 dire remonter \u00e0 l\u2019unit\u00e9 \u00e0 partir de la multiplicit\u00e9 pr\u00e9sente, effective (unit\u00e9 multiple), cr\u00e9er un mouvement \u00e0 l\u2019int\u00e9rieur d\u2019une masse parfois quasi-statique (statisme mouvant), exposer \u00e0 la fois un spectre global et toutes ses composantes ou encore jouer sur l\u2019ambivalence permanence\/variation. La dimension temporelle de la pi\u00e8ce se pr\u00e9sente ainsi comme un renouvellement perp\u00e9tuel des textures sonores qui la constitue, par autof\u00e9condation, autog\u00e9n\u00e9ration. Le temps et la succession ininterrompue de ses phases, le mouvement et la constance de l\u2019\u00e9nergie qui l\u2019actionne, l\u2019\u00e9ternelle m\u00e9tamorphose de l\u2019instant semblable \u00e0 lui-m\u00eame, la m\u00eame chose expos\u00e9e avec des points de vues diff\u00e9rents, tous ces concepts sont autant de mani\u00e8res d\u2019\u00e9voquer ce qui sous-tend cette oeuvre que l\u2019on peut assimiler \u00e0 une fresque sonore qui ne connait ni commencement ni fin hormis son cadre purement chronologique. La substance demeurant, seuls ses \u00e9tats changent.<\/p>\n<hr \/>\n<p class=\"p1\"><i>En to pan<\/i>\u00a0is an order of the GRM (Groupes de Recherches Musicales, Paris), created 25th january 2015.<span class=\"Apple-converted-space\">\u00a0\u00a0<\/span>The title means \u00ab\u00a0One the all\u00a0\u00bb in ancient greek, or also \u00ab\u00a0The One and the multiple\u00a0\u00bb, that exprime the correspondance existing between unicity and totality, infinite diversity.<\/p>\n<p class=\"p1\">This work tries to make correspondance in this complementary ideas : create a global unity from the effective multiplicity (multiple unity), a movement into a nearly static mass (moving statism), expose a global spectrum and all his components at once, or playing with the ambivalence continuity\/variation. The temporal parameter present itself as a perpetual replacement of sound texture by self-fertilization, self-generation. The substance staying, only his states change.<\/p>\n                <\/div>\n                                <div post_id=\"68\" itemcount=\"4\" header_id=\"header-1666801253552\" id=\"header-1666801253552\" style=\"\" class=\"accordions-head head1666801253552 border-semi-round\" toggle-text=\"\" main-text=\"Euphonia (2011)\">\n                                            <span id=\"accordion-icons-1666801253552\" class=\"accordion-icons\">\n                            <span class=\"accordion-icon-active accordion-plus\"><i class=\"fas fa-chevron-up\"><\/i><\/span>\n                            <span class=\"accordion-icon-inactive accordion-minus\"><i class=\"fas fa-chevron-right\"><\/i><\/span>\n                        <\/span>\n                        <span id=\"header-text-1666801253552\" class=\"accordions-head-title\">Euphonia (2011)<\/span>\n                                        <\/div>\n                <div class=\"accordion-content content1666801253552 \">\n                    <p class=\"p1\"><i>Euphonia<\/i>\u00a0f\u00fbt cr\u00e9\u00e9e le 17 septembre 2011 lors du festival de musique acousmatique Tourneson au Havre, elle f\u00fbt s\u00e9lectionn\u00e9e au festival de musique acousmatique Futura \u00e0 Crest et diffus\u00e9e dans l\u2019\u00e9mission Electromania sur France Musique en 2013.<\/p>\n<p class=\"p2\"><i>Euphonia<\/i>\u00a0constitue une recherche sur l\u2019exploitation d\u2019un spectre harmonique dans un environnement \u00e9lectroacoustique. Le titre, compos\u00e9 du pr\u00e9fixe grec \u00ab\u00a0eu\u00a0\u00bb et de \u00ab\u00a0phonia\u00a0\u00bb, signifie litt\u00e9ralement \u00ab\u00a0qui sonne bien\u00a0\u00bb. Il renvoi au fait de recr\u00e9er une harmonie fr\u00e9quentielle globale avec de multiples sons, notamment \u00ab\u00a0accord\u00e9s\u00a0\u00bb en fonction d\u2019un spectre harmonique. Hector Berlioz avait imagin\u00e9 une \u00ab\u00a0ville musicale\u00a0\u00bb qui s\u2019appellerait Euphonia, dans laquelle chacun des ses habitants auraient une activit\u00e9 li\u00e9e \u00e0 la musique. L\u2019oeuvre peut alors \u00eatre consid\u00e9r\u00e9e comme un portrait plus ou moins m\u00e9taphorique de la cit\u00e9.<\/p>\n                <\/div>\n                                <div post_id=\"68\" itemcount=\"5\" header_id=\"header-1666801305217\" id=\"header-1666801305217\" style=\"\" class=\"accordions-head head1666801305217 border-semi-round\" toggle-text=\"\" main-text=\"Le songe du retour (2012-2013)\">\n                                            <span id=\"accordion-icons-1666801305217\" class=\"accordion-icons\">\n                            <span class=\"accordion-icon-active accordion-plus\"><i class=\"fas fa-chevron-up\"><\/i><\/span>\n                            <span class=\"accordion-icon-inactive accordion-minus\"><i class=\"fas fa-chevron-right\"><\/i><\/span>\n                        <\/span>\n                        <span id=\"header-text-1666801305217\" class=\"accordions-head-title\">Le songe du retour (2012-2013)<\/span>\n                                        <\/div>\n                <div class=\"accordion-content content1666801305217 \">\n                    <p class=\"p1\"><i>Le Songe du Retour<\/i>\u00a0f\u00fbt cr\u00e9\u00e9 le 14 septembre 2013 au festival de musique acousmatique Tourneson au Havre. La version courte f\u00fbt s\u00e9lectionn\u00e9e au concours international de composition acousmatique Banc d\u2019essai du GRM le 6 octobre 2013 \u00e0 Paris.<\/p>\n<p class=\"p1\"><i>Le Songe du Retour<\/i>\u00a0est une \u00e9tape vers l\u2019application de techniques spectrales dans un environnement \u00e9lectroacoustique. L\u2019agencement des sons est pens\u00e9 comme un flux continu donnant<span class=\"s1\">\u00a0le sentiment d\u2019un retour inexorable qui \u00e0 chaque fois renouvelle le contenu spectral de l\u2019ensemble<\/span>. La notion de \u00ab\u00a0retour\u00a0\u00bb peut faire allusion au retour du \u00ab\u00a0haut\u00a0\u00bb vers le \u00ab\u00a0bas\u00a0\u00bb d\u2019un signe envoy\u00e9 au divin, \u00e0 une correspondance ou un \u00e9change entre l\u2019humain et le divin. La pi\u00e8ce sugg\u00e8re un acte de d\u00e9votion, une forme de correspondance mystique et propose \u00e0 l\u2019auditeur un voyage transcendantal \u00e0 travers les forces cr\u00e9atrices cosmiques.<\/p>\n                <\/div>\n                    <\/div>\n    <script>\n        jQuery(document).ready(function($){accordions_active_index_68 = [];        })\n    <\/script>    <script>\n        jQuery(document).ready(function($){\n            accordion_68  = $(\"#accordions-68 .items\").accordion({\n                event: \"click\",\n                collapsible:true,\n                heightStyle: \"content\",\n                animate: (\"swing\", 1000),\n                navigation: true,\n                active: 999,\n                            });\n        })\n    <\/script>\n                <\/div>[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_height_percent=&#8221;0&#8243; back_color=&#8221;color-211273&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; 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gutter_size=&#8221;3&#8243; back_color=&#8221;color-211273&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/2&#8243; uncode_shortcode_id=&#8221;591624&#8243; back_color_type=&#8221;uncode-palette&#8221;][\/vc_column][\/vc_row][vc_row row_height_percent=&#8221;0&#8243; back_color=&#8221;color-211273&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; uncode_shortcode_id=&#8221;112516&#8243; back_color_type=&#8221;uncode-palette&#8221;][vc_column width=&#8221;1\/2&#8243;][vc_custom_heading text_color=&#8221;color-xsdn&#8221; text_size=&#8221;h4&#8243; uncode_shortcode_id=&#8221;185019&#8243; text_color_type=&#8221;uncode-palette&#8221;][\/vc_custom_heading][vc_column_text uncode_shortcode_id=&#8221;190536&#8243;]<div id=\"audioigniter-107\" class=\"audioigniter-root \" data-player-type=\"simple\" data-tracks-url=\"https:\/\/francoisbuffet.com\/francois-2022\/?audioigniter_playlist_id=107\" data-display-track-no=\"false\" data-reverse-track-order=\"false\" data-display-tracklist-covers=\"false\" data-display-active-cover=\"false\" data-display-artist-names=\"false\" data-display-buy-buttons=\"false\" data-buy-buttons-target=\"false\" data-cycle-tracks=\"false\" data-display-credits=\"false\" data-display-tracklist=\"true\" data-allow-tracklist-toggle=\"true\" data-allow-tracklist-loop=\"true\" data-limit-tracklist-height=\"true\" data-volume=\"100\" data-tracklist-height=\"250\" ><\/div>[\/vc_column_text][\/vc_column][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;3&#8243; back_color=&#8221;color-211273&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/2&#8243; uncode_shortcode_id=&#8221;591624&#8243; back_color_type=&#8221;uncode-palette&#8221;][vc_empty_space empty_h=&#8221;0&#8243;][vc_column_text uncode_shortcode_id=&#8221;205769&#8243;]<div id=\"accordions-78\" class=\"accordions-78 accordions\">\n                <div id=\"accordions-lazy-78\" class=\"accordions-lazy\">\n                    <\/div>\n        <script>\n            jQuery(window).load(function(){\n                jQuery('#accordions-lazy-78').fadeOut();\n                jQuery('#accordions-78 .items').fadeIn();\n            });\n        <\/script><style type='text\/css'>\n        @media only screen and (min-width: 1024px ){\n            #accordions-78 {\n                            width: 100%;\n                        }\n        }\n        @media only screen and ( min-width: 768px ) and ( max-width: 1023px ) {\n            #accordions-78 {\n                            width: 100%;\n                        }\n        }\n        @media only screen and ( min-width: 0px ) and ( max-width: 767px ){\n            #accordions-78 {\n                            width: 100%;\n                        }\n        }\n                    #accordions-78 .items {display: none;}\n            #accordions-78 .accordions-lazy {\n                text-align: center;\n                position: absolute;\n                top: 50%;\n                left: 50%;\n                transform: translate(-50%, -50%);\n            }\n            #accordions-78 {\n                            text-align: left;\n                                        background:#061733 url() repeat scroll 0 0;\n                                    position: relative;\n        }\n        #accordions-78 .accordions-head{\n                    background:#ffffff none repeat scroll 0 0;\n                                    outline: none;\n        }\n        #accordions-78 .accordions-head-title{\n                            color:#000000;\n                            font-size:11px;\n                }\n        #accordions-78 .accordions-head-title-toggle{\n                    color:#000000;\n                            font-size:11px;\n                }\n        #accordions-78 .accordions-head:hover .accordions-head-title{\n                    color:#474747;\n                }\n        #accordions-78 .ui-state-active{\n                    background: #ffffff;\n                    border: none;\n        }\n        #accordions-78 .accordion-content{\n                            background:#ffffff none repeat scroll 0 0;\n                                                    border: none;\n        }\n        #accordions-78 .accordion-icons{\n                                                background:#ffffff none repeat scroll 0 0;\n                                            }\n        #accordions-78 .accordions-head:hover .accordion-icons span{\n                    }\n            <\/style>\n    <div class=\"items\">\n                        <div post_id=\"78\" itemcount=\"0\" header_id=\"header-1666795692078\" id=\"header-1666795692078\" style=\"\" class=\"accordions-head head1666795692078 border-semi-round\" toggle-text=\"\" main-text=\"Les Ondes Porteuses (2004\/2009)\">\n                                            <span id=\"accordion-icons-1666795692078\" class=\"accordion-icons\">\n                            <span class=\"accordion-icon-active accordion-plus\"><i class=\"fas fa-chevron-up\"><\/i><\/span>\n                            <span class=\"accordion-icon-inactive accordion-minus\"><i class=\"fas fa-chevron-right\"><\/i><\/span>\n                        <\/span>\n                        <span id=\"header-text-1666795692078\" class=\"accordions-head-title\">Les Ondes Porteuses (2004\/2009)<\/span>\n                                        <\/div>\n                <div class=\"accordion-content content1666795692078 \">\n                    <p class=\"p1\"><i>Les Ondes Porteuses\u00a0<\/i>tire son origine dans une installation de postes de radio, t\u00e9l\u00e9viseurs, amplificateurs, antennes et haut-parleurs (le kontaktor), qui g\u00e9n\u00e8re diff\u00e9rentes sortes de sons : bruits blancs, ondes courtes, larsen, etc\u2026 Les sons ont \u00e9t\u00e9 enregistr\u00e9s puis trait\u00e9s sur ordinateur. Il s\u2019agit d\u2019une m\u00e9taphore sur la grande quantit\u00e9 d\u2019ondes qui balayent incessamment notre environnement, qui viennent parfois de tr\u00e8s loin dans le temps ou dans l\u2019espace, comme le fond diffus cosmique, ou au contraire les ondes que notre monde produit et envoie continuellement dans l\u2019espace lointain et qui seront peut-\u00eatre un jours re\u00e7us par d\u2019autres r\u00e9cepteurs.<\/p>\n                <\/div>\n                    <\/div>\n    <script>\n        jQuery(document).ready(function($){accordions_active_index_78 = [];        })\n    <\/script>    <script>\n        jQuery(document).ready(function($){\n            accordion_78  = $(\"#accordions-78 .items\").accordion({\n                event: \"click\",\n                collapsible:true,\n                heightStyle: \"content\",\n                animate: (\"swing\", 1000),\n                navigation: true,\n                active: 999,\n                            });\n        })\n    <\/script>\n                <\/div>[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_height_percent=&#8221;0&#8243; back_color=&#8221;color-211273&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; uncode_shortcode_id=&#8221;112516&#8243; back_color_type=&#8221;uncode-palette&#8221;][vc_column width=&#8221;1\/2&#8243;][vc_custom_heading text_color=&#8221;color-xsdn&#8221; text_size=&#8221;h4&#8243; uncode_shortcode_id=&#8221;221414&#8243; text_color_type=&#8221;uncode-palette&#8221;][\/vc_custom_heading][vc_column_text uncode_shortcode_id=&#8221;114296&#8243;]<div id=\"audioigniter-114\" class=\"audioigniter-root \" data-player-type=\"simple\" data-tracks-url=\"https:\/\/francoisbuffet.com\/francois-2022\/?audioigniter_playlist_id=114\" data-display-track-no=\"false\" data-reverse-track-order=\"false\" data-display-tracklist-covers=\"false\" data-display-active-cover=\"false\" data-display-artist-names=\"false\" data-display-buy-buttons=\"false\" data-buy-buttons-target=\"false\" data-cycle-tracks=\"false\" data-display-credits=\"false\" data-display-tracklist=\"true\" data-allow-tracklist-toggle=\"true\" data-allow-tracklist-loop=\"true\" data-limit-tracklist-height=\"true\" data-volume=\"100\" data-tracklist-height=\"250\" ><\/div>[\/vc_column_text][\/vc_column][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;3&#8243; back_color=&#8221;color-211273&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/2&#8243; uncode_shortcode_id=&#8221;591624&#8243; back_color_type=&#8221;uncode-palette&#8221;][vc_empty_space empty_h=&#8221;2&#8243;][vc_column_text uncode_shortcode_id=&#8221;970426&#8243;][\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[vc_row row_height_percent=&#8221;0&#8243; back_color=&#8221;color-211273&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; uncode_shortcode_id=&#8221;112516&#8243; back_color_type=&#8221;uncode-palette&#8221;][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;3&#8243; style=&#8221;dark&#8221; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/francoisbuffet.com\/francois-2022\/wp-json\/wp\/v2\/pages\/64"}],"collection":[{"href":"https:\/\/francoisbuffet.com\/francois-2022\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/francoisbuffet.com\/francois-2022\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/francoisbuffet.com\/francois-2022\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/francoisbuffet.com\/francois-2022\/wp-json\/wp\/v2\/comments?post=64"}],"version-history":[{"count":4,"href":"https:\/\/francoisbuffet.com\/francois-2022\/wp-json\/wp\/v2\/pages\/64\/revisions"}],"predecessor-version":[{"id":284,"href":"https:\/\/francoisbuffet.com\/francois-2022\/wp-json\/wp\/v2\/pages\/64\/revisions\/284"}],"wp:attachment":[{"href":"https:\/\/francoisbuffet.com\/francois-2022\/wp-json\/wp\/v2\/media?parent=64"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}